My first post for the third year I am writing for SOKONG! (or my twelfth since 2021) is now online.
This time, I wrote a review of Rangga Purbaya’s recent solo exhibition at Ruang MES 56 in Yogyakarta, Tahun-Tahun yang Berbahaya. In a sense, the exhibition is a continuation of his longer project about memories of the 1965 event in Indonesia. That being said, my essay can also be seen as a continuation of my older essay from 2015, in which I wrote about Rangga older work about his grandfather, who went missing in 1965.
In this exhibition, Rangga created portraits or faces using artificial intelligent-powered generator, based on an old military document that lists 351 victims of 1965 event in East Java. I visited the exhibition a couple of times, also attended the artist talk in early January 2023. I got curious as there was relatively little conversation about the use of artificial intelligence. So, I try to explore a bit about it in this essay.
You can read the essay in full on SOKONG!’s website through this link (in Bahasa Indonesia). ∎